Friday 30 May 2014

Regeneration waistcoat - finished

A lot of readers have been asking how I got on with making my Matt Smith regeneration waistcoat. Well, the answer is it is finished!

It’s been finished for a while - I just haven’t got around to posting it in the blog! Sorry.

I used a pattern block drawn from one of my old vintage books, which amazingly included some instructions on producing paid-in lapels, just like the real thing!

Along with my screen accurate Budd shirt, plus my Frock Coat made from the genuine cashmere, I have myself a great outfit!

Look out for its debut outing.

I do have a supply of the fabric and buttons for the waistcoat, so if you are wanting to have one made - get in touch!
Email me at tennantcoat@me.com 
and I can send you full details.

Friday 2 May 2014

Fabric Friday - Shetland tweed: reweaves

A few weeks again on Fabric Friday I showed you Matt Smith’s screen-worn Shetland tweed.

It’s a very popular fabric supplied by W Bills, and the one and only sixty metre bolt soon sold out.

So it wasn’t long before it was being rewoven to keep up with demand.
However, being a number of years since it was original made, matching the yarns wasn’t as easy as it sounds second time around.

WEAVE 2
This was the first time the tweed was rewoven.

The design is created from six different colours of yarn, and the weave was identical to the original, although one of the colours was not the best match.

There is a sparsely used shade of green yarn woven into the brown background. The original thread was not available, so a slightly darker version had to be substituted.
The original version of the Shetland Tweed is shown either on the left or top in each of these photos, to give a side-by-side comparison.
This give the fabric an overall darker and more green shade. You can particularly see the green yarn in the extreme close-up below.


One bolt of sixty metres was woven of the Shetland Tweed in this form.

The finish of the fabric was very cut compared to the original, which had a softer and slightly fluffier surface.


WEAVE 3
Despite giving feedback about the colour, the same six yarns were used for the next weaving, giving the fabric the same greenish blush.

Again the finish is a lot more cut than the screen-worn.

But the thing that is most annoying is the mismatch of spacing on the horizontal orange stripes.

As you can see, if they are aligned at the top, within five repeats its already a good half-inch out.

Two bolts of sixty metres each was woven of the Shetland Tweed in this form.


These reweaves shows that even if the SAME waver, using the SAME looms can’t always precisely match their original work.
That said, there is no other option to get this exclusive designs, so it is what it is.